What makes an art podcast great?
However, you ultimately define art, podcasters have you covered, and the latest offerings of art podcasts are wonderfully diverse. From deep dives into individual paintings to art crime and thoughtful musings on our role in the world, these hosts know how important and emotional art can be. Their conversations are candid and honest.
Who sings the talk art theme music?
Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt . If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store.
Who are the artists in the new talk art exhibition?
This extraordinary exhibition includes new and recent works by 31 artists including previous Talk Art guests Alvaro Barrington, Caroline Coon, Somaya Critchlow, Jadé Fadojutimi, Denzil Forrester, Lubaina Himid, Sophie von Hellermann and Rose Wylie. Rugoff was born in New York City and studied semiotics at Brown University.
How can I follow talk art on Instagram?
Follow the official Instagram @TalkArt for images of artworks discussed in each episode and to follow Russell and Robert's latest art adventures. See acast.com/privacy for privacy and opt-out information.
What is talk art podcast?
Actor Russell Tovey and gallerist Robert Diament host Talk Art, a podcast dedicated to the world of art featuring exclusive interviews with leading artists, curators & gallerists, and even occasionally their talented friends from other industries like acting, music and journalism.
What is an art talk?
Visual and verbal literacy are developed through active experiences with the visual arts that include questioning and dialogue, what it often called “Art Talk.” According to Vygotsky (1962), higher forms of mental activity are constructed and transferred to children through dialogue with other people.
What are art open calls?
For many artists, open calls are an opportunity to give themselves a prompt, a structure, a set of boundaries, and a deadline when working in the studio. They also open artists up to new exposure, connections, and potential prizes if their work gets selected.
How do you do art talk?
Here are 9 tips to help make your next artist talk more painless, more entertaining and more successful:Remember, you are the top authority on your artwork.Construct a Storyline.Start with some freewriting.Rehearse your story like you are rehearsing a play.Keep it simple.More items...
How do you start an art speech?
* Begin by writing down whatever comes to mind about your art and your experiences as an artist. Free associate-- words, phrases, broken sentences, anything-- don't bother with organization, grammar or spelling at this point. You simply want to put as many ideas and as much raw material into writing as possible.
How do I apply for an open call?
Just explain that you are emailing to apply for the (open call/role of….)...Keep it simple and relevant. ... Demonstrate your thinking, make sure it is clear that you have made informed creative decisions.Understand the requirements for the position advertised & meet those criteria.
What is a con artist?
Definition of con artist : a person who tricks other people in order to get their money The couple lost their savings to a con artist who told them he was an investment broker.
How do you write an art call?
How to Write a Call For ArtistsPlan your calls for artists in advance.Plan your promotion strategy.Name your opportunity.Decide on tense and readability.Describe the opportunity.Provide benefits.Make the call to action clear.Add an image.More items...•
How many episodes of Talk Art?
138 episodes. Actor Russell Tovey and gallerist Robert Diament host Talk Art, a podcast dedicated to the world of art featuring exclusive interviews with leading artists, curators & gallerists, and even occasionally their talented friends from other industries like acting, music and journalism.
Who created the cover art for Radiohead?
RADIOHEAD x Talk Art EXCLUSIVE EPISODE! Russell and Robert meet Thom Yorke and Stanley Donwood at the Standard Hotel in London to discuss 30 years of friendship and their ongoing, longterm artistic collaboration. Initially meeting at Exeter University, Donwood has created the cover art for Radiohead’s ground-breaking albums since The Bends in 1996. Six of his paintings from the album sleeves were recently on display at Christie’s headquarters in London, alongside drawings, lyrics and digital art curated by the artists. We explore Radiohead's forthcoming release KID A MNESIA EXHIBITION: an upside-down digital/analogue universe created from original artwork by Thom Yorke and Stanley Donwood and sound design by Nigel Godrich to commemorate 21 years of Radiohead’s Kid A and Amnesiac albums. KID A MNESIA EXHIBITION will be available beginning November 18th as a FREE download for PlayStation 5 (HERE), PC and Mac at EPIC GAMES STORE. A trailer is now live at: https://youtu.be/AOinMjQ9jo8 PLUS! Buy their new hardback book "Kid A Mnesia: A Book of Radiohead Artwork" at Waterstones (click here). A celebration of the process and artwork created for the Radiohead albums Kid A and Amnesiac. Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same. Follow @Radiohead, @ThomYorke, @StanleyDonwood on Instagram. Special thanks to @TheStandardLondon. This episode was recorded live at the Library Lounge Sound Studio in The Standard, London in October 2021. For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email [email protected] See acast.com/privacy for privacy and opt-out information.
Where is Lubna Chowdhary's exhibition?
Russell & Robert meet artist Lubna Chowdhary to visit two of her installations in East London. The first is a public artwork at 100 Liverpool Street titled 'Interstice' and the second a new solo exhibition 'Erratics' at PEER Gallery on Hoxton Street. Chowdhary (b.1964, Tanzania) is highly acclaimed for her ceramic works, which subvert the traditional context and utility of the medium to address a longstanding preoccupation with urbanisation and material culture. Her sculptural practice has evolved from a sustained fascination with the fusion of binary cultural and artistic influences. Her newly produced work for PEER, including wall-, floor- and plinth-based pieces also traverse material, application, and process. A range of ceramic pieces – multi-part panels and arranged Tableaux – combine industrial manufacturing technology such as water-jet cutting with highly developed hand-applied glaze techniques. These colourful and exquisitely executed works are presented alongside a selection of small, hand-built un-glazed sculptures. Chowdhary will also exhibit work in a range of new materials, which she has more recently started to work with. Three large wooden sculptures have been developed, which combine CNC (Computerised Numerical Control) with traditional craft skills, while two other works have been created in situ from easily obtainable and inexpensive industrial components and materials. The three wooden sculptures will sit on the gallery floor and give the appearance of functionality. They are in part derived from Chowdhary’s research into colonial period furniture in the Victoria and Albert Museum collection carried out during her ceramic fellowship residency there in 2017. She was fascinated by the hybridity and subtle code switching of British Victorian or Edwardian domestic structures and styles as interpreted by locally employed craftsmen at the time. This ease of cultural use and misuse is echoed elsewhere in Chowdhary’s work. These sculptures are fabricated using both traditional woodworking skills and state-of the-art CNC production. As with the ceramic works, this combination of technology with manual process achieves a balance between beautiful and imperfect created by master craftspeople. Acquired cultural references from her western art school education such as a preoccupation with modernist serial modularity that often regarded excessive ornament as a crime, are mixed together with her personal cultural references as an Asian Muslim born in Tanzania who moved to England in the early 1970s. In Chowdhary’s work both influences are ever-present in a push-and-pull dialogue that finds a fluent sense of resolution without being programmatic. A modernist purity of form duets seamlessly with a desire for exuberant colour and ornamentation. Chowdhary’s work has often been incorporated within architectural schemes for both public and private building projects and at different scales. The aperture between PEER’s two gallery spaces has become the site for a strident sculptural intervention whose composition references Islamic architectural decoration on the one hand and geometric minimal or neo-geo painting on the other. The material she has employed is silver, foil-backed pipe insulation, easily purchased at any plumbers merchants. Elsewhere in the gallery, she has created a wall-based sculpture using only nails and rope from a chandlers. These works have evolved from experiments carried out during a three-month IASPIS residency in Stockholm that began in February 2020 but was curtailed after a few weeks. Without access to a ceramics studio, she became drawn to working in new ways with simple, modular materials found general hardware stores or trade suppliers, which offered the opportunity to focus on many of the core preoccupations of her practice. The title of this exhibition at PEER, Erratics, refers to large rocks or boulders that have been displaced from their original geological context thr
Who is the host of Talk Art?
Actor Russell Tovey and gallerist Robert Diament host Talk Art, a podcast dedicated to the world of art featuring exclusive interviews with leading artists, curators & gallerists, and even occasionally their talented friends from other industries like acting, music and journalism.
How much did Beeple sell his NFT?
SURPRISE BONUS! We chat to our friend, leading art advisor Simon Oldfield to discuss the art news hitting mainstream headlines this past week with digital artist Beeple selling his NFT artwork 'EVERYDAYS: THE FIRST 5000 DAYS' for an astonishing $69.3m at Christie's auction house. As a curator, advisor and lawyer fascinated by the convergence of art and technology, the emergence of NFTs into the mainstream is something Simon has predicted for many years. Twenty years ago he won a national award for his dissertation on the future of intellectual property in the Internet age:"Few people understood the internet, fewer understood my arguments and even those who did thought it was an irrelevance. Dismissed as solutions to problems that would never exist. Well, they were wrong, clearly! Today we are on the cusp on something extraordinary within the art world - the crossroads of art, law and tech. It’s an extremely complex world with major implications for the interaction of a global digital product and national laws. NFTs have enormous possibilities but potentially even greater pitfalls. After years of talking about digital art and its potential, often falling in deaf ears, it is literally all I have been talking about for the past month with #collectors, #artists, #lawyers, #fintech etc. Last week I gave a Zoom talk to over 200 people - heads of major law firms, CEOs, heads of banks etc. about NFTs and how art and the law around it is shaping the future. The wider potential and ramifications for NFTs (non-fungible tokens), the #blockchain, crypto currency, #smartcontracts, #cyrptography is extraordinary - in the literal sense of that word. We are living in the future."A qualified lawyer with a degree and post-graduate diplomas from the University of Exeter and the University of Oxford, Simon also oversees a thriving Curatorial arts and culture programme. Since opening the Simon Oldfield Gallery, he has exhibited influential artists of all disciplines, discovered emerging talent and presented landmark exhibitions, and is currently organising an exhibition of Digital Art. He regularly spearheads collaborations with commercial partners including Burberry, Soho House and Hauser & Wirth, alongside non-profit and philianthropic collaborations with public institutions including the Tate, Turner Contemporary and the Royal Academy of Arts. He chairs and participates in talks and panel discussions on art, literature and culture and has featured in radio and podcasts including Talk Art, Monocle Radio 24 and the BBC. He has also written for various publications including Monocle, Harper's Bazaar and FT Weekend. Follow @Simon_Oldfield on Instagram and his official website at: www.simonoldfield.com/ to discover more! Simon co-founded the non-profit organisation Pindrop with Elizabeth Day (of the How To Fail hit podcast) which is... See acast.com/privacy for privacy and opt-out information.
What is the Jesse Murry legacy?
We discover the world of an incredible artist JESSE MURRY who passed away in 1993 leaving an extraordinary legacy of artwork, poetry and writing. Fusing the Romantic painting tradition of John Constable and J. M. W. Turner with the quality of mind and imagination of Wallace Stevens’s poetry, Murry uniquely sought to create a “landscape” within the fiction of painting that could be “more than a place to dwell but a suitable space for dreams.”We meet two special guests this week to remember Murry’s artwork and to explore his extraordinary thinking - the artists #LisaYuskavage @LisaYuskavageStudio and @JarrettEarnest - who together have united to curate an extraordinary new exhibition titled ‘Jesse Murry: Rising’, curated by Lisa Yuskavage and Jarrett Earnest, at #DavidZwirner’s 533 West 19th Street location in New York.Painter and poet #JesseMurry (1948–1993) identified three significant approaches to landscape—'poetic,' 'dramatic,' and 'visionary,' which he aimed to synthesize into abstract paintings. Born in North Carolina, Jesse Murry studied art and philosophy at Sarah Lawrence College before moving to New York City in 1979. His essays on artists including Hans Hofmann and Howard Hodgkin appeared in a range of publications, including Arts Magazine. After two years of teaching art history and exhibiting at Hobart and William Smith Colleges, Murry enrolled in the Yale School of Art at the age of thirty-six. ‘Jesse Murry: Rising’ brings together paintings from the last five years of the artist's life. This work—made while confronting his impending mortality from AIDS-related illness—testifies to Murry's lifelong belief in the capacity of painting to hold the complexity of human meaning, at the meeting of a material fact and a location within the mind. Exhibition runs from 17 SEPTEMBER – 23 OCTOBER 2021. Learn more: https://www.davidzwirner.com/exhibitions/2021/more-life/jesse-murryForthcoming on September 28, 2021, and titled after a paper the artist wrote while at Yale, Painting Is a Supreme Fiction is an unprecedented collection of Murry’s writings. Edited and with an introduction by Jarrett Earnest and a foreword by Hilton Als, the book also includes transcriptions of two of the artist’s notebooks, in which the spatialization of the words across the page approaches the condition of thought. We strongly recommend buying this special book!!!Thank you Lisa, Jarrett and the team at @DavidZwirner. #JesseMurry See acast.com/privacy for privacy and opt-out information.
Where is Narumi Nekpenekpen's studio?
Russell & Robert meet artist Narumi Nekpenekpen from her studio in Los Angeles! Special episode in collaboration with @ODDAmagazine - check out their latest issue for an exclusive #TalkArt feature. Thanks to ODDA for including excerpts from this interview in their new issue!Kate Wong writes about Narumi's works as shown in London at Soft Opening, gallery's space at Piccadilly Circus tube station: Nekpenekpen’s figures are small in relation to the human form, but gargantuan relative to the stars we see in the night sky, or the flecks of earthen elements that constitute the clay from which they have been formed. With their big doe eyes, heart-shaped pouty lips and cobby bodies, they gesture with a quiet but visceral urgency. Inspired by the poetry of dreams and daydreams, and also by the language of film, Nekpenekpen’s work traverses questions of mistranslation, identity and belonging. In their innocence and playfulness, the sculptures protest against the binary of low and high art, and the Western commodification of different aesthetic forms. Drawing from wide-ranging pop-cultural references, Nekpenekpen’s figures come together in a liminal place. Here at the boundary of diverse perspectives, untethered from preexisting ways of seeing and making, her characters come to life. In her process, slab porcelain clay is pushed and pulled into a central foundation onto which, like armour, the artist affixes a head, chunky limbs and highly textured garments, chains and other accessories. Nekpenekpen is interested both in what clay wants to do on its own, as well as what can emerge from their imminent relation. This method of handbuilding is honest, informed both by incongruity and imperfection. The result is a small, fierce army of lovers, produced from Nekpenekpen’s care and a dynamism of intra-acting forces. In this interstitial place, a dependency on others is essential to existence; love reigns supreme.Follow @NaruBlu on Instagram. Special thanks to Antonia Marsh at Soft Opening, gallery in London. Follow @ODDAmagazine on Instagram and check out ODDA latest issue for Talk Art special feature this month!!!For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email [email protected] See acast.com/privacy for privacy and opt-out information.
Who is Laurie Anderson?
New Talk Art!!! Russell & Robert meet LIVING LEGEND Laurie Anderson @laurieandersonofficial, one of America’s most renowned – and daring – creative PIONEERS! Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist. We discuss her most recent works, as well as her 2015 film 'Heart Of A Dog', a favourite of Russell & Robert's! We learn of her artist residency at NASA and even debate whether animals can make art and discover more about a car opera Laurie wrote involving actual cars honking their horns!‘O Superman’ launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on ‘Big Science’, the first of her seven albums on the Warner Brothers label.Laurie Anderson’s 1982 debut album, ‘Big Science’, will return to vinyl for the first time in 30 years with a new red vinyl edition on Nonesuch Records. In the early 1980s, Laurie Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged. While working on her now-legendary seven-hour performance art/theater piece United States, Part I–IV, she cut the spare ‘O Superman (For Massenet)’, an electronic-age update of 19th century French operatic composer Jules Massenet’s aria ‘O Souverain’, for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited-edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely #2 hit, lots of attention in the press, and a worldwide deal with Warner Bros. Records.Follow @LaurieAndersonOfficial on Instagram and her record label @NonesuchRecords for links to buy the limited edition red vinyl reissue of Big Science. TALK ART BOOK is OUT NOW! Visit Waterstone's or The Margate Bookshop to buy our brand new book in the UK or Amazon or Bookshop.org in USA & Canada. Full list of links in our Linktree: https://linktr.ee/TalkArtFor images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email [email protected] See acast.com/privacy for privacy and opt-out information.
Who is Amy Cappellazzo?
Russell and Robert meet Amy Cappellazzo, current Chairman of the Fine Art division of Sotheby’s. Cappellazzo has just announced she will be leaving the company in July 2021. We discuss her admiration for Georgia O'Keeffe, Joni Mitchell, performance artist John Kelly, the HBO documentary she featured in The Price of Everything and her passion for the Studio Museum Harlem and the Albright-Knox Art Gallery in her childhood hometown of Buffalo, NY.Prior to accepting he position, Cappellazzo founded Art Agency, Partners with Allan Schwartzman. The firm filled a significant need in the art market for a client-oriented combination of industry knowledge, financial sophistication, and discretion. The company’s attention to detail and emphasis on client care catalyzed a paradigm shift in the market that did not go unnoticed; in January of 2016 Sotheby’s acquired Art Agency, Partners in a groundbreaking deal. Cappellazzo previously served as a market leader in the field of contemporary art at Christie’s, where she rose to the post of Chairman of Post-War & Contemporary Development over thirteen years. During her tenure Cappellazzo directed groundbreaking initiatives that led to record results, with upward of $650 million realized in a single sale.Previously, Cappellazzo was an art advisor, curator, and key figure in the establishment of Art Basel in Miami Beach. Cappellazzo received her B.A. in Fine Arts/Art History from New York University, where she was a Presidential Trustee Scholar. She holds a master’s degree in Urban Design from the School of Architecture at Pratt Institute, where she focused on the role of public art in shaping cities. Follow Amy on Instagram: @ACappellazzo.For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email [email protected] See acast.com/privacy for privacy and opt-out information.
Who is Larry Achiampong?
New Talk Art!!! Russell & Robert meet leading artist Larry Achiampong (b. 1984, UK). Larry Achiampong's solo and collaborative projects employ imagery, aural and visual archives, live performance and sound to explore ideas surrounding class, cross-cultural and post-digital identity.With works that examine his communal and personal heritage – in particular, the intersection between pop culture and the postcolonial position, Achiampong crate-digs the vaults of history. These investigations examine constructions of ‘the self’ by splicing the audible and visual materials of personal and interpersonal archives, offering multiple perspectives that reveal entrenched socio-political contradictions in contemporary society.Achiampong has exhibited, performed and presented projects within the UK and abroad including Tate Britain/Modern, London; The Institute For Creative Arts, Cape Town; The British Film Institute, London; David Roberts Art Foundation, London; Kunsthal Charlottenborg, Copenhagen; Bokoor African Popular Music Archives Foundation, Accra; Logan Center Exhibitions, Chicago; Prospect New Orleans, New Orleans; Diaspora Pavilion – 57th Venice Biennale, Venice; and Somerset House, London. Achiampong’s recent residencies include Tyneside Cinema, Newcastle; Praksis, Oslo; The British Library/Sound & Music, London; Wysing Arts Centre, Cambridge; and Primary, Nottingham and Somerset House Studios (London).Achiampong is a Jarman Award nominated artist (2018) and completed a BA in Mixed Media Fine Art at University of Westminster in 2005 and an MA in Sculpture at The Slade School of Fine Art in 2008. In 2020 Achiampong was awarded the Stanley Picker fellow and in 2019 received the Paul Hamlyn Artist award in recognition for his practice. He lives and works in Essex, and has been a tutor on the Photography MA programme at Royal College of Art since 2016. Achiampong currently serves on the Board of Trustees at Iniva (Institute of International Visual Arts) facilitating art policies in the UK and internationally and also holds a place on the board of trustees for Elephant Trust and is represented by C Ø P P E R F I E L D.Follow
Where is Lubna Chowdhary's exhibition?
Russell & Robert meet artist Lubna Chowdhary to visit two of her installations in East London. The first is a public artwork at 100 Liverpool Street titled 'Interstice' and the second a new solo exhibition 'Erratics' at PEER Gallery on Hoxton Street. Chowdhary (b.1964, Tanzania) is highly acclaimed for her ceramic works, which subvert the traditional context and utility of the medium to address a longstanding preoccupation with urbanisation and material culture. Her sculptural practice has evolved from a sustained fascination with the fusion of binary cultural and artistic influences.Her newly produced work for PEER, including wall-, floor- and plinth-based pieces also traverse material, application, and process. A range of ceramic pieces – multi-part panels and arranged Tableaux – combine industrial manufacturing technology such as water-jet cutting with highly developed hand-applied glaze techniques. These colourful and exquisitely executed works are presented alongside a selection of small, hand-built un-glazed sculptures. Chowdhary will also exhibit work in a range of new materials, which she has more recently started to work with. Three large wooden sculptures have been developed, which combine CNC (Computerised Numerical Control) with traditional craft skills, while two other works have been created in situ from easily obtainable and inexpensive industrial components and materials.The three wooden sculptures will sit on the gallery floor and give the appearance of functionality. They are in part derived from Chowdhary’s research into colonial period furniture in the Victoria and Albert Museum collection carried out during her ceramic fellowship residency there in 2017. She was fascinated by the hybridity and subtle code switching of British Victorian or Edwardian domestic structures and styles as interpreted by locally employed craftsmen at the time. This ease of cultural use and misuse is echoed elsewhere in Chowdhary’s work. These sculptures are fabricated using both traditional woodworking skills and state-of the-art CNC production. As with the ceramic works, this combination of technology with manual process achieves a balance between beautiful and imperfect created by master craftspeople.Acquired cultural references from her western art school education such as a preoccupation with modernist serial modularity that often regarded excessive ornament as a crime, are mixed together with her personal cultural references as an Asian Muslim born in Tanzania who moved to England in the early 1970s. In Chowdhary’s work both influences are ever-present in a push-and-pull dialogue that finds a fluent sense of resolution without being programmatic. A modernist purity of form duets seamlessly with a desire for exuberant colour and ornamentation.Chowdhary’s work has often been incorporated within architectural schemes for both public and private building projects and at different scales. The aperture between PEER’s two gallery spaces has become the site for a strident sculptural intervention whose composition references Islamic architectural decoration on the one hand and geometric minimal or neo-geo painting on the other. The material she has employed is silver, foil-backed pipe insulation, easily purchased at any plumbers merchants. Elsewhere in the gallery, she has created a wall-based sculpture using only nails and rope from a chandlers.These works have evolved from experiments carried out during a three-month IASPIS residency in Stockholm that began in February 2020 but was curtailed after a few weeks. Without access to a ceramics studio, she became drawn to working in new ways with simple, modular materials found general hardware stores or trade suppliers, which offered the opportunity to focus on many of the core preoccupations of her practice.The title of this exhibition at PEER, Erratics, refers to large rocks or boulders that have been displaced from their original geological context through... See acast.com/privacy for privacy and opt-out information.
What is art podcast?
The art podcast genre is one of those intentionally-vague categories that encompasses a wide variety of micro-genres. However, you ultimately define art, podcasters have you covered, and the latest offerings of art podcasts are wonderfully diverse. From deep dives into individual paintings to art crime and thoughtful musings on our role in the world, these hosts know how important and emotional art can be. Their conversations are candid and honest. Together, they all try to make sense of the same questions about the images and objects that make up the world: how they come to have meaning and what happens if they disappear? Here are our favorite art podcasts to help satiate a curious mind.
What is Beyond the Studio podcast?
Beyond the Studio takes you out of the paint and plaster and into the lives of artists. From conversations about cost of living and best business practices, the podcasters candidly discuss what it means to be an artist working today. Hosts Nicole Mueller and Amanda Adams are both practicing artists themselves, so they understand the importance of such candour. And in providing information about these challenges and obstacles, they hope to empower artists, a desire reflected in the show’s subheading: A Podcast for Artists. – Discover Pods Staff
What is the show ArtCurious about?
If your interest in art history is more Page Six than college lecture, then ArtCurious is for you. Actually, it is for all of us, as host Jennifer Desal wants to make art history funny and accessible, for both fanatics and novices alike. Each episode focuses on a single artist or work of art, that Desal then packs full of salacious tidbits and jaw-dropping tales. She tracks down the juiciest gossip in her hopes to discover if Walter Sickert really was Jack the Ripper or that the Mona Lisa is actually a fake. Don’t be fooled by the cha thought; Desal’s bona fides are well-established: she has spent over two decades working as a curator of Modern and contemporary art. Like a great museum exhibition, she skillfully weaves a narrative, and before you know it, you’ll be peppering your conversation with terms like chiaroscuro or sfumato. – Discover Pods Staff
What is 99% invisible about?
Okay, while it isn’t technically about art, 99% Invisible is about design , and all the thought that goes into things we don’t normally think about. It is one of the most acclaimed podcasts out there, with millions of downloads, so when host Roman Mars does talk about art, you know it will be good. Episodes like “Photo Credit,” in which Mars investigates the life of Lucia Moholy, the photographer and Bauhaus documenter, or “The Many Deaths of a Painting” ask listeners to think carefully about what they believe to be true. Inevitably, Mars flips that on its head. – Discover Pods Staff
Who hosts the VS podcast?
A mashup of poetry and boxing–“verses” and “versus”– VS is hosted by acclaimed poets Franny Choi and Danez Smith. Each episode, the two poets speak to a contemporary about their work and what their work stands up against. The boxing concept comes through the podcast’s segments, each having some sort of thematic name and setup. It’s a bold choice that results in a poetry podcast that’s surprisingly goofy and fun, while still being solemn and respectful when the work and discussion calls for it. – Wil Williams
Who are the hosts of Discover Pods?
Hosts Nicole Mueller and Amanda Adams are both practicing artists themselves, so they understand the importance of such candour. And in providing information about these challenges and obstacles, they hope to empower artists, a desire reflected in the show’s subheading: A Podcast for Artists. – Discover Pods Staff.
Who is the host of Art Detective?
For bite-sized art chats, there is no one better than Dr. Janina Ramirez, who hosts Art Detective. Dr. Ramirez is a cultural historian based at the University of Oxford, and the cultural, political and sociological connections she makes are incisive.
